Alistair Anderson

Alistair AndersonAlistair AndersonAlistair Anderson

Alistair Anderson

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ALISTAIR ANDERSON

ALISTAIR ANDERSONALISTAIR ANDERSONALISTAIR ANDERSON

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My new CD is available from Bandcamp https://alistairanderson.bandcamp.com/album/hethpool-linn 

Listen soon

About

Alistair Anderson - Concertina & Northumbrian Pipes

Alistair Anderson is internationally recognized as the master of the English Concertina and a fine performer on the Northumbrian Pipes.

"He is a treat to watch... His involvement and delight in the music are infectious... Beautiful music, played with skill, taste and affection.”   fRoots

“The pleasure comes chiefly from the excellence of the playing. The concertina emerges as a flexible and sensitive instrument; in the hands of a player of Anderson’s quality it is amazing what it can achieve.”  The Guardian

“He remains one of this country’s most majestic and inclusive instrumentalists”   Colin Irwin, fROOTS,  

A “Musical Catalyst”

Anderson’s passionate belief that traditional music had an important place in contemporary society led him to find ways to excite a new generation of young musicians and draw them into playing, singing, dancing and making the tradition their own. 

  • He founded Folkworks an organisation that helped to change the face of folk music, with large numbers of young people discovering traditional music, song and dance through their summer schools, workshops and education projects. 
  • Folkworks became one of the two founding partners of The Sage Gateshead and Anderson continued as its Artistic Director until 2008. 
  • Working with the Music Department of Newcastle University, Anderson developed England’s first degree course in folk and traditional music launched in Sept 2001. 

Despite the huge amount of energy he poured into this work he continued to perform as a soloist and he took his great friends and mentors, the retired shepherds, Will Atkinson, Willy Taylor and Joe Hutton to festivals the length and breadth of the country. He wrote music for a leading string quartet, for professional theatre even for an ensemble of ancient Chinese instruments. He collaborated with jazz musicians and wrote for a mixed ensemble of Northumbrian and Moravian musicians and spent October 2010 touring South Africa with traditional Xhosa musicians, singers and dancers. The success of his varied performance and composing work grows out of his deep understanding of traditional music balanced with an adventurous sense of its constantly changing nature and creative potential.

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